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ANTIRiME


: : RHYMING VERSION OF ANTIGONE : :


: : by gregglory@aol.com : :


Antigone stood up like a periscope,

discerning truth, descrying hope;

She was battered, borne along

by Time's monumental stream of wrong

until into truth's white crucible

she sullenly withdrew.


their minds on matters of philosophy.

Yet, for all this, Elric's thoughts were forever

turning to Zarozina and the fear

of what might have befallen her.

The very innocence of this girl,

her vulnerability and her youth had been,

to some degree at least, his salvation.

His protective love for her had helped to keep

him from brooding too deeply

on his own doom-filled life, and her company

had eased his melancholy.

---- Michael Moorcock, Stormbringer

SCENE ONE

[ANTIGONE and ISMENE are sewing shrouds.]

ANTIGONE.

Whose is better, darker, Ismene,

of these silk parachutists' shrouds we weave

to float our brothers Hellward while we grieve?

ISMENE.

By our industry and fair eyes

they shall be made to rhapsodise;

Your shroud itself's a masterwork

of timely love and deep-felt hurt;

in its lacy and lovely weave

you help your glimmering eye to grieve.

And its perfect, or nearly, dear,

with but one lose thread... there.

ANTIGONE.

Oh, yes. You're right. I'll need

to even up the stitches with the needle.

ISMENE.

Let justice weight up her scolding scales

with equal wonder where two lives have failed;

with equal equanimity just this once in death,

let our doughty fighting brothers' breaths

the golden grace of their spent days exhaust

as before in the lives which they have lost,

misplaced, they strode in double, loving arms, they two,

alike extraordinary above the common view.

ANTIGONE.

Are you done with that little needle yet?

ISMENE.

Almost done, Antigone, yet

Eteocles' E still needs a flirting filigree,

a flourish to please Charon's craggy eye.

ANTIGONE.

My shroud for downcast Polynices must

be nice enough for him to win love from dust

and steal Persephone from Hades' heated side;

less success than that in the afterworld he won't abide

who for his own hard-garnered self-regard has died.

Upon the crooked little field of death he stood

with brazen eyes defying, how proud,

the tatter-rattle killing tricks

of his enemies' glittering sticks;

In Hell he should have the bride of Spring

as the smallest help for his pride's comforting.

ISMENE.

Eteocles too stood like a god,

as though he were made to live forever, trod

the mangling hazards of our civil war to stuff

and never shiver with the common guff.

Two brothers, both alike in greatness,

now a double duty for two sisters' neatness,

sewing tidy shrouds to twine their griefs

worn by weeping to terminal unbelief.

Here's the thread. Now, watch the needle!

You'll spike yourself if you're unheedful.

ANTIGONE.

If this needle, potential sore,

yet light enough for maids' endeavors,

could be forged a sword by hate and sorrow

strong enough to decapitate tomorrow

or spark some mercy by a trick of light

from my war-hollow heart poured stiff concrete

I'd lay it in my side though God himself forbade;

I'd consecrate it's bald bold blade

with my every drop of virgin blood

and never sew another shroud.

ISMENE.

Don't talk like that! Your heart must yield.

....We're almost at the battlefield.

Here ghosts that died so full of vengeful victory

in the height of useless hubris yesterday

will hear your vow and be offended

that a woman's words so warlike sounded.

ANTIGONE.

Calamity's the great text

our sorrow-sighs must punctuate.

Sisters in misery, we fare not well

under a hard hail from Hell.

Who's got a better right to cry for vengeance?

The dead have lost their old intemperance

and lay in rotten equanimity all day---

it's us, we need someplace to throw our hearts away,

some bloody spot of ground to shout alone.

Soldiers and women both inter the bones;

but only women have no place to vent

the things with which their hearts are bent;

our heads of our greifs we can't delouse

while men make all the world a charnalhouse

and for their killing get crowned as Kings,

with ruby wands decreeing royal things.

We women in our low office may only weep;

unceasing calamity, Ismene, is ours to keep.

Oh, that of the royal house of Oedipus

I knew nothing, and cared less!

Topping it off, a rape has rasped my ears today,

sharp soot from the dragon's-mouth polluting lucidity,

dark words evilly twisting the clarity of air,

the few clear things we've scraped together

from the stark wreckage of our hates and hurts.

ISMENE.

What words, Antigone, can nail me worse

than those our father Oedipus' horrors

hammer in my nightly terrors,

repeat and echo in my heart's herse?

Keep your words and roarings terse.

Coursing, ribald, disrespecting war

has rivered me from myself so far,

it is the only blood moves in me now;

unceasing seas of inclement reds allow

our brothers' bare bodies on the killing field

no time to mend, or my heart to yeild.

ANTIGONE.

You have not heard, then,

of Colonel Kreon's creeping dictum?

ISMENE.

The battlefield's lousy with lost bones,

kinsmen skinned and left ungroaned;

here sightless eyes may scratch

all night at the stars' hard latch

seeking entrance to a dignified heaven

their unburied state keeps them exiled from.

This I know. This I have seen:

rummagers and mummified mourners

lost among the belladonna

step toe-careful through the loot

and lornly bawl, and to no boot.

This I know. This I have seen:

lovely Polynices

embracing a bruised Etocles

in limitless suffering of the dead

come at last to their simple end.

ANTIGONE.

Here's

ETOCLES.

How grave

and graceful are the things death saves.

This solid ground has held long enough

the weight of which I long to feel the crush;

Soon enough the earth in her ruin will get

eternal possession of all I loved, and love yet.

Come, Ismene, help me lift him that I may serve

the office of the earth in brief embrace. Observe,

I hold the brave beauty of his body

that proved too frail a home for his immortality.

ISMENE.

Brother, ...

ANTIGONE.

The soldiers too will shout like lovers,

beat their bronzen breasts, pull out their hair,

toil in tongue-tied oratory toward God's lair

to gasp their grief, and blare upon the air

with trumpets in their lumped throats. They'll tear

and cry for what all their pride did first inter

beneath the dirt with Etocles together.

ISMENE.

It's right they should. Oh, brother

let such honors as our customs connive

hold you above the loam awhile, alive

in cheating eyes still blurred by death.

ANTIGONE.

And Polynices, out of breath,

whose lagging sails and body's ship

the punishing waves have stripped

breasted the selfsame oceans of this war

that Etocles and ourselves abhorred

and from his topmast is drowned as deep

as ever our own Etocles did sleep.

ISMENE.

Yes, Polynices, you too shall we wrap,

with balm and comely unguents trap,

until our love-touches may render

your wounds shut up with heavy lavender

that opened such holes in us. But wait,

dear Polynices, just a bit,

while we bind and bandage Etocles,

whose priority in these housekeeping deeds

lies only in that he lay over you.

Thus our one atom of love's made two.

Although in life and war you two stood

on the bitter spectrum of faction opposed

and picked out, like boxers, opposite colors,

yet in death shall you rank together.

ANTIGONE.

They say that... God curse these crows!

Dread harbingers! That Kreon... No, no!

You'll bear no bit of human meat

obscenely heavenward in your black beaks.

[A trumpet is heard offstage.]

ISMENE.

Kreon...? Here comes his motorcade

with flag and bright insignia displayed,

an annoucer reared on the back seat

bearing a scroll that must yet

announce some new decree of law,

applying peace to these new-finished wars.

ANTIGONE.

Let us attend.

ANNOUNCER.

Let Etocles be buried with the great,

for Etocles has served the state.

Polynices must rot, for he did not.

Military medals will drip from Etocles' chest

since for the State alone he did his best.

Polynices did not, and therefore must rot.

Tuesday's parade, led by this motorcade,

in triumphal, sumptuous march down ol' Main Street

will shill the war-orphans a special treat.

Polynices, however, our bitter enemy,

stays where he lays for all to see.

Let no hand touch the such-and-such

whose dark swat at our metropolis was too much.

Let no hand in his burial play a caring part,

the State decrees itself quite pleased

that dogs should eat out his heart.

On pain of Death, it is decreed in Thebes!

The hollow longing of his staring skull

will serve as warning for one and all.

ANTIGONE.

Ismene, here's suds, in this sweet water jug

to lave and love Polynices when we've dug

his gravesite in this battled clay

and put him to rest for the rest of the day

and maybe wrote a poem to help arrow his bones

past the pearly death-gates where he'll roam

half mindless in his fulltime Hell.

ISMENE.

Antigone! Perhaps you don't hear so well.

ANTIGONE.

Public announcements are for public

consumption. I am a person, and shall always click

my consciousness to seperate, private stations.

ISMENE.

But that decree means our cremations!

ANTIGONE.

Ismene, listen. We are just dust.

Cremation's only one more formality

confirming our transient humanity.

Its your own mind you must listen to and hear.

Help me or don't help me. Whichever, dear.

But there is no middle way.

Not yesterday, not tomorrow, not today.

I know this world is muddy, obscure with fear.

But some things that were clear stay clear.

ISMENE.

Help? What...? I don't get it. Nothing's clear.

ANTIGONE.

Help me bury Polynices, of course.

ISMENE.

Bury... but... Kreon... the decree....death, and worse!

ANTIGONE.

A person has to bury their brother,

I know that deep as I know nothing other.

Although no dictator's pen has written it,

yet no monarch's censoring eraser can efface it.

ISMENE.

But the risks are hideous! We'll die

and rot out here with Polynices, catching flies.

ANTIGONE.

Are you coming with me to the farther wall?

ISMENE.

But

KREON.

He's so harsh and all.

ANTIGONE.

What tank could ever outflank a daisy?

The State gears forward, making lazy

figure eights on its rotored treads

searching for enemies and loaded with lead.

All his messerschmitts and schnausers

haven't the justice of a single flower

willing to die to bring to new seed

the blossom of truth its sap decrees.

Political ideas have gone to their heads!

My future estate lies with the dead.

ISMENE.

Sister! Our troubles are already triple.

Oedipus in love with his infernal riddles,

ripping his eyes out to see terror better

in the acknowledged dark where life is bitter.

Life's a mess on the family plan,

Jocasta axing herself out of our clan

as soon as she knew just what she had done,

giving incestuous birth, fucked by her son!

Snatching a curtain cord, screeching "umbilical!"

she twisted her life out by the empty sill

full of sunset's exploded glory.

And even that's not the end of the story.

As she lay there, remotely moored

by Fate's crossed strings to the livingroom floor

there came the muffled scuffing of a hundred drums

announcing the pronouncement that our end had come.

War rolled in like an incinerator, wild

to burn up the last dry leaves of our lives.

And when Kreon marched smartly from the officers' barracks,

you laughed impolitely and said he was garish.

But Kreon's was the only steady hand

careful and regular under Etocles' command;

and summer had flashed all our land to one whiteness.

And then Etocles and Polynices

still handsome and young, fell spitted like pigs

playing their opposite numbers, sweet brothers, sweet figs,

tossed on the glory of each other's swords.

It's been enough for me to foreswear the Lord.

You see my point, sister? Our life's a bust.

And now who's left of our whole clan? Just us.

Want us to go down the same way, with a flare and a fizz,

unsure of everything but our own righteousness?

A pair of girls! We aren't part of the army,

we left that to the men; it's far too alarming

to think of fighting them now, all alone,

---not all the men, all the army. Antigone!

The law's a strong word whose only

counterpoint's a punctual "I obey."

ANTIGONE.

If that's your opinion,

then I don't want you. Shuffle on,

ISMENE.

When exciting multiplicity

withers to single simplicity

from all the coulds imagination displayed

we humble humans inevitably degrade

into the choices that we've made.

I'm not too good at making demands of others,

the dead are best at that, our brothers

whose twilit, silent insistence,

incites a kind of conscience,

knowing we live a little while in pleasure

and that in cool death we die forever.

Go on, go do as you please,

set up a life for yourself, it's a breeze.

I'm burying my brother. Seems he's got

one less sister than he thought.

ISMENE.

All this battle, and now strife between us.

These offerings of the gods lick of bitterness.

ANTIGONE.

These offerings offer us a chance at passion,

a head turned to kiss what's now out-of-fashion:

human Justice touching the immortal Right.

And more than that, ex-sister, we can't ask to get.

ISMENE.

The gods I know how to honor in their temple,

the repeating seasons each recieve their sample

of my ceremonial devotion on the burning altars.

What I don't know is how to break the law, or alter

the one and only thing that's made exactly the same

for all of us, no matter who we think we are.

ANTIGONE.

Every renegade must have reasons,

every anxious stay-at-home excuses for her treasons;

Pardon me, Ismene, please excuse me

while I get on with burying Polynices.

ISMENE.

Antigone, I'm afraid.

[ANTIGONE give her a look.]

ISMENE.

So afraid. For you.

ANTIGONE.

Don't bother. With fear I'm through.

All these furiously luminous fairy tales of yours

scar the dark so serenely that they bore,

dwindle to a blink, and then blink no more.

Your concern is touching, but doesn't reassure;

Got to think about yourself. I understand. Sure.

ISMENE.

[Looking around.]

I'll keep your secret, Antigone, I won't peep;

I won't tell a soul, not even in my sleep.

Maybe you'll get away with it, who knows?

Then everyone can be happy, like the first day of snow.

ANTIGONE.

Happiness is like a dream which passes

out on a punctual pillow, and doesn't hear its glasses

shatter on tiles' evil configuration;

your concern for me, like a strange inauguration,

comes through haphazarded by static, fluffy, wrong, untrue.

Don't stop youself talking. Tell 'em all. It's true!

If you race around the Spanish esplanade

you can probably catch old Kreon

discussing troop dispositions with the gods.

Go on, rabbit after them, go, go on,

chatter with the evil beings posing on the lawn.

Just reason to yourself about how distrustful

Kreon'll feel when he knows you knew it all.

ISMENE.

Aren't you afraid at all? It makes me cold

to think of being so breezily daring, brave and bold.

ANTIGONE.

Just doing what's got to be done, is all.

ISMENE.

But can you really do it, simple as a song?

I bet you can't. Not really, not for long.

ANTIGONE.

That's a point. When my strength abates

I'll give it up-- when my bones break.

ISMENE.

But why should you die for what can't succeed?

ANTIGONE.

Get out,

ISMENE.

Before you know it,

I will be the one hating you. If death bites

for honoring the dead, it will be for me

an honorable death. Get out,

ISMENE.

SCENE TWO

[Battlefield previous day. ETOCLES and POLYNICES.]

SOLDIER UNDER ETOCLES.

Two valiant brothers in titanic conflict

clear a field of foes with gigantic fists.

What Etocles becomes, Polynices counters;

each for the other's drunken army is the bouncer.

2 SOLDIER.

Their angers are the rawest in the field.

SOLDIER.

One to the other will never yeild.

2 SOLDIER.

Those two conquer countries within:

the soiled uttermost of brother-hatred is their sin.

SOLDIER.

Etocles becomes a fury,

thousand-armed in his bloody hurry,

and settles widows by the swarm

with every dainty swing of his mighty arm.

2 SOLDIER.

Polynices no less---

with each great step he kills a mess,

plantations graveyards, and swamps

our alfalfa fields with bloods beyond our mops.

ETOCLES.

Fore, fore, to the fore!

Let every backward heart cower like a whore,

flailing backward and bedward which should march more!

Let feet be geared to onward use alone:

rearward gapes a retracting cliff.

Fore, fore, to the fore! No ifs!

Let onward men view virtue in the face

of dead enemies whose valor we debase.

POLYNICES.

Oh worse than night, you bloodblack men, away,

that slow the righteous rising of my day!

A fallen Etocles must my horizon be

or no new dawn shall roar aloud in Thebes.

1 SOLDIER.

Etocles, ever onward! [He's slain.]

POLYNICES.

Slave! fear justice and her terrible sword;

I think there are no men that fight for Etocles,

but these counterfeit counters.

2 SOLDIER.

Death to the invader! [He's slain.]

POLYNICES.

I do believe the world's all heads

and limbs stuck in its crust; my foot's in a sea of reds.

I should switch my infantry for gravediggers

to get a single square yard of land clearer

that I might convincingly contest.

ETOCLES.

Brother!

POLYNICES.

Etocles!

[They argue and kill each other.]

KREON.

Two mighty hearts in turmoil contest

and beat each other to silence in the sand,

absent boastful besting. [Aloud.] Victory, Thebans,

mounts on lightning wings to our defended city!

Let none say, however unpretty,

that the will of God was left undone;

here you see where his terror shone

upon these dead brothers he once enthroned.

SCENE THREE

[MERCHANT, soldiers, widows, others.]

MERCHANT.

[From list.]

Funerary candles, fifteen-hundred,

silk shrouds for the cadavers, ten ton,

fifty priests of Zeus with tough knees to say

everlasting prayers, tend everlasting flames all day,

ten days of mourning drama-shows

depicting heroic deaths, and their lives below,

three-hundred twenty-five epitaphs we commission

to give grave-visiting a fab frisson;

a wailing crier to sing out the names

of our honorable dead, numerically arranged.

Other minor matters, too small to mention,

but included in the contracts. Sign here, Kreon.

[KREON signs.]

Good, good. Now everything is bought and paid for;

The last detail of every victory's a funeral.

KREON.

Dead hands pull palls

to curtain our dark State

which yesterday had bloods full

enough to race in headlong gait

heedless of the finish ribbon that tripped us up.

Now our old dignities, due for a checkup,

steady themselves on the doctor's treadmill,

pausing after the last pant up the final hill

that seemed a topless, insurmountable mountain

inaccessible to our steadfast intent. Yet, citizens,

your dear devotion and plauditory patience

reap hard reward's overdue benificence:

Peace in every suburban hedge is what you've got,

just what unhesitating obedience has brought.

To Laius you bowed in lauded rows;

To Oedipus presented contented countenances;

When he was exiled by the windmills of the gods

to be blown across creation, a poor old sod,

your loyal hearts embraced his kids,

rare exemplars of our Greecian Ids;

dear Etocles and mighty Polynices

accepted loyalty oaths of your future services.

Yesterday, in battle royale, Polynices slayed

Thebes' defender Etocles, who had strayed

from his command post too youthfully enthused

by the sight of his old school chums oozed

across the battlefield like football players

a vengeful god half-massacred, a bluster-

ing coach too tough with his exhausted team.

Yet success' sunlight still on Etocles' shoulder beamed,

and he took for his post-game winner's trophy

the useless life of his traitor-brother, Polynices.

They met in an embrace of bloods their tomb,

who once were pried in sequence from the womb.

I, as uncle to these great ones,

to the inherited mantle of good government have come,

politic, conservative, yet in full power

I walk the corridors of State in a direful hour,

enchanting to the magnates, and brave to the plebes,

I ascend this long-contested throne of Thebes.

MERCHANT.

Law distributes the rights our leaders construe.

Someone has to know how to

know and what to know and how to do.

SOLDIER.

Without a body, the lolling head rolls useless;

Let our arms be your arms; our legs, your Zeus'

thunderbolts against rebellion,

dissolution, and damned disunion.

KREON.

Remember that. Your loyalty will be tested yet.

MERCHANT.

We're behind you 100 per cent.

But we have to keep an eye to profit,

not every public service can pay the private rent.

KREON.

Fine; but that's not quite what I meant.

Sixty sentries already walk the bloody quad

and six sharpshooters practice for the firing squad;

I have a plan for an enduring peace, of course,

that I simply want my citizens to endorse.

MERCHANT.

100 per cent; what more could we say?

KREON.

It's what's done, not said, that will win the day.

Harbor no lawbreakers in your uptown house,

the State is a dog when its home to a louse.

SOLDIER.

Disobey, and incur the risk

of sharpshooters six ready to whisk

our souls into idiot oblivion?

I'm not that brave. Or that dumb, for one.

KREON.

Most solemn comes the State's sharp pen

to delete the life of a citizen.

Yet, coin jingles bright with money's delights

and deep indifferent wisdoms have often been

seduced by its tinny attractions time and again.

[ENTER SENTRY.]

SENTRY.

Colonel, although I risk my neck,

my breath held steady and my mind a wreck

I have a report that I must make,

though twice on my way here I did a doubletake.

I turned around. Once, just at the gilded door.

Once, when I overheard your passionate disparagement pour

on apperceived disloyalty in basso counterpoint

to your praise of death selected by the State Adroit.

My knees went backward like a bird's

hesitant and repentant at such hard words

to push forward through atmospheres of fear

churning in my gut's hurricane as I neared.

"Go back, you imbecile, why won't you listen

to me, your mind's sinuous apprehension!

Don't go whistling to your deathtrap, halt!

Can't you hear Fate's gears grinding to gestalt?"

So I paced, then heard your soldier's solid loyalty.

My heart took heart, and my stomach calm,

I arrive ready to reveal, as I was ordered,

what my senses in the State's employ recorded.

Although, it may not make much sense, my senior.

So, then, when I got---

KREON.

Spit it out you crippled idiot.

SENTRY.

Hey! I didn't do it. Didn't see who did.

The battlefield's a forest of the disloyal dead,

desecrating the State's impersonal decorum,

with faces frozen stiff by death's intimate abhorrence.

But don't you worry, sir, we didn't choke,

we left the cold unburied in the rain to soak.

KREON.

You should be an advocate at court,

the pertinent is absent from your report.

Just what was this something-nothing that you saw?

I'll need all the details. You know the law.

SENTRY.

Dreadful... ghostly...

Um, strange, livid, nearly unearthly...

KREON.

Spit. It. Out.

SENTRY.

No need to shout.

Beneath, between, the mists that purled and paused

upon the obscure battlefield like first-aid gauze

the corroded dead continued, rigor mortis,

to shout about the pains that caused distress.

But time's silent stuffing fingers in their mouths

gagged to windy whispers all their howls.

Out there, near Polynice's end of the field...

Well... Seems a touch of dust had begun to build.

KREON.

Dust?

SENTRY.

A thin, really thin, layer almost, of, of--

KREON.

Dust?

SENTRY.

Dirt, sir.

KREON.

Surely the dead are dirty.

SENTRY.

And what they smell of....

KREON.

Dirt....

SENTRY.

Someone was trying to bury him, sir.

All about, the close-packed earth was stirred

as if Polynice's ghost had rose up in dirge

for his unburied body. This they tried to cure,

whoever they were, spilling wine and soil

over the indignant dead man Etocles had spoiled.

KREON.

A long battle. Dried blood looks like grime;

sweaty work, things stick to the skin, look like crime.

SENTRY.

Someone had put him under. Handful

by handful. One foot was neatly buried, the sandal

packed under neat handprints. Dirt in the wrinkles,

not fallen or scattershot, but lovingly sprinkled.

A last ablution of earth.

KREON.

WHO. DARES. DO. THIS? THE TRUTH!

SENTRY.

I swear I don't know, Colonel Kreon!

Sir! All that fog. And we boys was tired, gone...

from the battle still; all that fat feasting after.

My ears still rang honky-tonk tunes and laughter.

We looked for signs, but couldn't find none.

Just Polynices put under, not another single one.

Silence all the night. No talk amongst us,

too weird with all those blue bodies in the dust,

some brothers to us, our places so close

but so different. It'd be strange to be verbose,

their restless ghost tapping in at will

from the other side; moon baleful on the fog, a veil

of nothingness smothered in absence, and then,

before long, dawn trundlin' up from Apollo's pen,

staining our apprehensions with day again.

The corporal saw it, not me, I didn't notice.

A small... a extra limning of darkness on the premises.

Somehow Polynices seemed just more not there,

if you know what I mean. It was quite a scare.

KREON.

I do not.

SENTRY.

I wasn't me, I swear! Didn't see nothing.

Nothing there, not really, just a thin layer, of, of.... something.

KREON.

Dust?

SENTRY.

A sort of something that the nose

perceives as musk or musty, clottish, knows

mostly from an unread scroll, an eviscerated crust

common sense and experience dub as dust.

But on the wide, absract, identical terrain

one thing by its very absence marked the plain:

scattered among expressive corpses lacking tact,

no indent or dusty comma of a paw or track

appeared, there was never the least sign at all

of even the remotest type of animal,

and this, like a magic trick, to our soldier's acumen

revealed the intruder as something human.

A nest of accusations when I returned to post;

things real quiet for a sec. Boys on my shift,

well, I gotta say we started finger-pointing promptly.

Visciousness on the parade grounds where we'd stomped

or whispered confidences, little things, sought

private views on public topics, where we fought,

such like. All came to nothing, rude

fear in our voices morphing to instant certitude,

rapid logic making airtight cases,

calling back swear words and rushed excuses.

Whole jurisprudence process was rather crude.

All came to nothing. We didn't know who'd

done what, if anything. Bad news, all of it.

Then I have to see you.... sir, tell the tale, spill it.

I mean, someone had to go to tell the Colonel.

Stared the graffiti meaningless in the barracks urinal.

We stared hard at our feet, restless, restless,

and I drew the short straw... my luckiness.

No happiness in the news, none in the bearer.

Nobody shines to see a bad-news man draw nearer.

KREON.

And you all saw nothing?

SENTRY.

Absolutely. Not a thing.

SOLDIER.

Maybe it was the gods did it. A sign.

"Ferocious prophecies first often seem benign."

KREON.

Gods!? Money! You were decieved and bribed!

Sentry-- you'll wish that you had died

eviscerated on a poinard, if this damned corpse

gets dunked in dirt again, like they taught at church.

Watch steady, night ain't too long. Keep your poise.

Money turn your heads, boys?

....I'll twist 'em off!!

SENTRY.

[Aside to himself.] Dumpkoff, dumpkoff, dumpkoff.

SCENE FOUR

[ETOCLES and POLYNICES before their troops. One day earlier, morning.]

LIEUTENANT.


Where's Polynices?

SOLDIER.

Gone to view the defenses.

2 SOLDIER.

Their men are nearly double ours.

For every four grunts they've a dozen howitzers.

LIEUTENANT.

Praise Zeus we have two arms each, then,

to double up the dead and slain.

SOLDIER.

It's bad odds, Lieutenant, and what

we've come all this way, tramping at night,

the rutty road waterlogged, horses slipping

and men crying crumpled under 'em, then stilling....

Too far from home or victory to change our places;

tomorrow's unlucky dead today have breathing faces.

Who knows who? Today a riddle's all they'll tell us.

[ENTER POLYNICES.]

2 SOLDIER.

These warlike jaws that snap around us!

If only we could plant their dragon's-teeth

and grow more men!

SOLDIER.

That'd be a relief.

POLYNICES.

The jaws that snap!

Why, Euroborus, let them trap

on air, or, like the dragon of your name,

engulf its own tail in hungry shame

--- before it slither-slumps away!

Who has the greater cause today?

The greater work to do, honor to win?

Our victory will change the world again.

Nature bites at changes, dogs fleaed,

like sleepy dragons, snap, once stirred

even if by an angel's foot. Such teeth

we do not need, nor would I have them,

for who would so late desert a cause,

even were it the wrongest flag on earth,

him I account of no-account, a less than dirt, no worth,

a thing, and not a man. O traitorous hope!

I hope Etocles doesn't pull back one

ounce of spitting venom. But let us win,

if, by the gods, we are deemed and fated

to win this great contest, against all we hated!

The harder fought, the more our fame's assured,

the greater the odds, the greater god's grace purrs,

moving though our rough ready human limbs

as does our very blood! Roar on, great dragon!

We'll cheer merry swords into your gullet, snake!

Thus your awesome voice shall be slaked

by the loud levity of our shouts, all of one

coiled killing intent when your death comes!

[The lads all cheer.]

ETOCLES' CAMP.

KREON.

What's that?

HAEMON.

It seems a boisterous roaring

from Polynices' camp is coming.

2 SOLDIER.

My heart is struck with fear,

pouring ice for my veins in by my ears.

KREON.

Courage, swayback.

Here comes Etocles to enhearten us, fool.

Let your cold ears hear his incendiary flak.

Let him pour his dragon's soul into you.

[ENTER ETOCLES.]

ETOCLES.

No speech given out by the top dog, sir Sir,

ever made a lesser cur bark louder.

No talk, however eloquent, however electrifying,

ever shocked a coward into bravery,

or raised a drooping army to vigorous attack,

or gifted a man with cause to fight who lacked.

Yet it is customary for a commander to give a speech,

and so I will. I guess another usual reason's

to get to know the troops, strangers shanghaied

into some State affair for quick reward.

Maybe that applies to Polynices' troops,

culled from the barbarous Spartan mobs

coming to loot our houses and rape our Moms,

but not to me and you it doesn't apply.

We grew up playing war together, low and high,

wrestling in the same sandlot! Yet,

it is customary for a commader to give a speech,

and so I will. Our enemy, too, is our intimate,

kicked sand in your faces, twisted my arm,

laughed with us and pledged love to our faces,

which love he now demeans and disgraces.

Let the measure of our former love

dole out the extent of our hatred now. So far

as you were his friends, that far

is he a traitor. What's to say? Our

mute hearts are eloquence. Yet, it is customary

for a commader to give a speech,

and so I will....

SCENE FIVE

[KREON sits for 'royal' portrait.]

ARTIST.

Is it with an awkward moral cognizance

that in the rising star's dark presence

I feel myself, almost, transmuted into trance?

An artist's only error is lack of diligence.

Decay, corruption, malfesience spur my palette

as well as hope, triumph and glory on the mallet

of the supreme sculptor sit calmly folded as a wallet.

All's art and echo of the poised, Platonic Reality.

Chaos and the curule chair both indispensibly

litter the tones and values of my smudger's art;

the frowning brow, the virtuoso heart,

both play, unto rerun, their artist's miscast parts.

Draw your face into a helmet, til resolution

alone still fits on the immortal face of Kreon.

Excellent, excellent. That's it.

[Sounds offstage.]

Is that the lithe Antigone I see? Come in and prance.

Quite a face, ethereal, yet in charge, a strangeness

as if she'd seized the world in a single glance

and found it wanting. A greatness... of arrogance.

SENTRY.

Colonel! Here's the one who... hey,

is that a crown on your portrait there?

KREON.

Report, Sentry. Artist, turn the picture.

SENTRY.

Right here, this one, caught her

carrying the dirt in her skirt, trying to twist

Polynices up in a silk shroud, better his condition,

gentle him up for the far side.

KREON.

Antigone...?

SENTRY.

God throws the dice, we play the numbers.

Man alive is born to wonder.

I'd've sworn I wouldn't be back

to see you! ...That ramrod back,

that thundery brow, the artist

got it pretty good there, way it twists....

ARTIST.

Thank you, young sir.

SENTRY.

Well, one look at that, sure....

I was shivering half the night, my spear

rattling against my breastplate. Kept me wide-eyed, though,

I'll tell you that, Colonel. Things you threatened....Whoa.

Well, how'd I know she'd prance right up,

kneel by his side, praying and making sup

with drippy libations. "Solved the case," I told myself.

"Arrest the waif, handcuff the little elf."

No short-straws this time: I ran, by hell.

And Antigone kept up with me real well.

She didn't seem shy at all out there by Polynices.

Go on, take her, question her. She'll clear me.

KREON.

Antigone? A woman, and Etocles' sister?

SENTRY.

She was heaving the dirt over him, yessir,

I tell you!

KREON.

IS. THIS. TRUE?

SENTRY.

What else? Unless my eyes are liars,

what else can they say that saw her?

KREON.

Details, details. We'll see if your story tallies.

SENTRY.

[Gulping.] Uh, well,

after all that shouting last time,

me and the boys raced back to Polynices' body,

holding our uniforms over our faces from the smell,

his face going awry; brushed him clean,

touching lightly as this personal grooming

might look itself like disloyalty; knew him

from his place on the field,

more than from his bloated looks, deep stinkpits

for eyes, a blackness of mouth, lips torn

from a skull, not a smile, of course, but

an irony there about the jaws. We sat upwind,

wary and awake, I can swear. No celebrations,

just us scared out of our togs, hearing the mind's moan.

We'd spear each other awake, for the State

must guard its prerogatives vigilantly.

All day nothing, and the wind getting hairy,

seeming to scratch a rash on the land,

dust into our watching eyes harshly fanned,

big afternoon sun obscured, dark as a bush,

plain, trees, debris, all snuffed out in one whoosh,

a whirlwind! That should keep him clean,

we figured. Can't bury no one

if the earth's up and on the go!

Whirlwind lasted a long while, everything unfixed, so

blurry... A dream it was, but, as with dreams,

it passed on into clarity, a semi-obscene

picture developing like a polaroid in the trees,

stars starting to peep out again, colorless clarity,

everything in our eyes pale as a corpse.

Saw a scuffle in the rags, a nervous torso,

and it was Antigone! She'd let out a start

to see her previous day's work torn apart,

Polynices made naked by the night, no cover

for the sake of respect. He's a traitor,

like you say, and I don't hold that he should

get the honors a patriot'd command;

but it was right pitiful, laid out so careless

when we'd all had a drink with him timeless

times before, before it all. She was crying hard

crying, crying over Polynices, and then we heard

her curse us, curse the damned hands on him

that undid the respect she'd risked life and limb

to wrap him in. Then, from her skirt, more dirt, more!

Blessed by a priest I reckon, and three or four

sprinkles of fine wine, our mouths dry as dust

watching her give over for his itchy ghost

the libation to quieten him. That's when we grabbed her,

and she as calm as a kitchen matron,

and she didn't seemed surprised at all, not at all,

but had a calmness in her eyes, "seeing though fate"

my grandma calls it, even when we charged her

with the desecration of the law, she stood steady.

Put me out of sorts, I'll tell you.

She gave me a slug of the wine, held me up.

Told me to take her here, so I did.

Feels good to get out of a death threat,

but lousy to give over another to it.

But she held my hand, said it was alright,

knew what she was doing, that it was her doing, etc.

(Personally, I think she was grief-crazed.)

But, here she is, and I'm safe out of it... right?

Nothing so safe and sweet as your own skin.

KREON.

Lift up your face. Do you confess,

Antigone, to this tryst with lawlessness?

ANTIGONE.

I deny nothing. I did it.

KREON.

Dismissed. [SENTRY exits.]

Tell me. Tell it all. Did you even hear

the proclamation in the tramped agora, dear?

ANTIGONE.

You saw me standing there. Shit,

when you broke the news to your loyal lieutenants,

lining up your whore-score of votes,

I knew you were a man to whom god's dignity was remote.

KREON.

And you defied this decree?

ANTIGONE.

I defy. Resolutely.

God wasn't there chewing the fat,

just you and your poor cohorts.

Justice stays exiled to Hades, deep below,

while men still prate and gape above. I know.

Our laws change with the electorate's indifference,

die when we die, and fail along with us.

Ask Etocles, he'd agree with me.

Your edict, tricked out in consensus,

withers when the Eumenedies fix their eyes

upon its temporary littleness.

How brief a space has man, how great his pride!

An underpaid tailor in a greenroom wardrobe

takes the godly measurements for his lonely soul,

trimming Fate to the requirements of his starring role.

Spotlights add a little glow to the final disaster,

making pride and hubris consummate faster

in the fourth-act pathos of the story

where pride of self consumes the glory

a humbler noticing of exacter circumstance

would assign, in careful retrospect, to chance.

KREON.

Well, don't you take the prize for pride?

A woman's coarse voice roaring from a child.

Honey, when you, like me, are little older

you'll submit to the wisdom of your elders.

ANTIGONE.

I won't grow old enough to know.

The edict predicts death, and I go

gladly to my exile. To the state,

my life, I won't hesitate;

to the gods, all that made

my life my life-- an even trade.

I knew that I was doomed to die, even before

that stuffy proclamation of yours.

You think you invented death?

Not so bad, not so tough,

dying after being born.

Death's an eternal grace malingering life adorns.

Life is so filled with evil days and acts,

deluded Oedipus' and Jocasta's sex pact

concluding in the numb triumph of this war

of brothers once equal even in your love, Kreon.

How can Death be anything but my friend,

my darkly needful helpmeet at the end?

Death will free me in its final shout,

while guilt will bind your conscience in a knot.

My death's a footnote at best,

astericked on a forgotten page in jest,

a silly ancillary to the argument

of which your horror will be the trump.

I'm a nobody. A little girl

underfoot about the house, unreal,

who only knows how much it hurt

to see her brother crest the dirt,

cursed by each official, proclaimed word,

and left unburied for the birds.

Each evil beak whose gnaw I followed

bore me aloft and left me hollow.

ARTIST.

Oh, Kreon, that ironic smile, hold!

You have all the spiffy dignity of a god.

ANTIGONE.

You think so too, Kreon? Really?

Kreon the Eternal! A fool convicts my folly.

ARTIST.

The daughter shows her father's scorn,

alike as acorns; hard as acorns thrown.

KREON.

I know your personal passion

seems necessity and not fashion,

however, what is and seems is a form:

absurdities decreed elevate to norms.

The horrid, undateable hunchback

given public dignity, which he lacked,

goes in moments from abhorred

to Cosmo's 'most winning bachelor.'

And so I tell you that your passion

is naught but a sixteen year old's whim,

come to your head, no doubt just lately,

from late-night reruns of some Greek tragedy.

But if with this smote emoting you persist

not even trying to resist,

I warn you, in your ignorance,

high in your insolent tower of pretence,

that very soon you'll start to teeter,

then the long fall, in timeless millimeters,

passing tidy, illuminated rooms

to one dumb girl's luckless doom.

Even mustangs, in their western estates,

their stiff-necked necks must break

if, once beneath a knowledgable hand they're lain,

they hesitate to obey the rein.

If you go on breaking laws

with no excusable why or licit because,

and then grant a primetime interview

undercutting what I'm trying to do

saying sound bites like "God's

word is my heart's sole command,"

etc. and so on--- damn!

That's when the shit hits the fan.

And all because copper Kreon was nice

enough to let you escape with your life.

If I let you live, let you go,

the law's prestige in the popularity poll

will drop to zero. We're

in a delicate way right now, here

in Thebes, the way things are;

room in our small sky for only one star.

Who's going to be telling the populace

what's what, which regulation face

to wear, how to act, what to do?

Difference 'tween me and you,

when moms gab in the produce aisle

or clerks smoke by their empty files,

well, that difference gets pretty thin,

slim stuff, mere wordings;

the way a phrase aligns, sometimes,

can decide what's cruel or kind.

Me, I need ultra-loyal ears

hearing what I need them to hear,

minds thinking what I need them to think,

Thebes is shoved that close to the brink.

Right words do justice to the State,

give the man in charge, myself, a break.

ANTIGONE.

What's this got to do with my choice

to bury my brother?

KREON.

Your voice,

and not dirt on the dead,

your voice is what I really dread.

[To ARTIST:] Damned girl's bitched in the head!

ANTIGONE.

My dying going to make you happy?

KREON.

I'll dance to hear hegemony

honored by the plain folks' horror

shuddering respect at the deathly-whisper:

"Antigone's dead, dead, dead.

Against her right King's rule she rebelled."

ANTIGONE.

In that case, kill me. Enough!

Talk tires me out, wears my ears off.

Bad taste in my mouth from all this palace palaver,

and I'm sure you're tired of me in a lather

shooting off about the gods like a prophet,

and me not hedging me bets by mandate,

not so half unsure of myself, not cutting it fine,

to increase the temple donation down the line.

These soldier-stiffs propped around here

like clay Kreons-- even they'd agree with me

if it weren't for your mania

for cutting the gods out of the power structure.

Not everybody can shoot off his mouth

like a King.

KREON.

Only you think that,

ANTIGONE.

Truth.

ANTIGONE.

Are you really so naive?

KREON.

The guilt is yours, not theirs. Believe.

They obey, you defy. They are good,

you are not. They shall live, and you would....

and will die. There is no overlap.

You are too naive, perhaps.

ANTIGONE.

I honored my brother, as any would.

KREON.

By spitting on the memory of Etocles?

Polynices stabbed him in the heart, you see,

while Etocles was defending his city.

ANTIGONE.

I wrapped Etocles in his shroud!

KREON.

Are a traitor and a patriot the same?

ANTIGONE.

Death has made them brothers again.

KREON.

And you are their sister. Join them.

ANTIGONE.

Let the gods be my judges then,

for in every sign that they gave me, in every

inner feeling fallen from heaven, they told me:

"Go on, don't go back on what we ask of you."

ARTIST.

Her reasons are inspired, true,

every artist must hold them valid.

What are your reasons, sire, I mean colonel,

sir, for prosecuting this difference, so ephemeral,

between the dead and the dead?

KREON.

Rebellion, you idiot.

That's my reason. Don't you get it?

There was an enemy army

out there day before yesterday,

and a bloodletter of the royal house

waving at its head, leading the grouse.

What am I to do, ignore such spectacles

as if they were parades, spectaculars?

Ring the boring barracks, call out my troops

to stand by and watch the show? Ridiculous!

If all my men need to help 'em think

is inhale the indifferent stink

of your dead brother, a dead enemy,

in order to discourage mutiny

do you imagine I'll hesitate

to let Polynices disintegrate

and whiten into a skull out there?

Don't cry. See here, see here.

It's tomorrow's bloodshed I seek to avoid;

Against that future cost, I'll endure the goad

of all the gods and holy men

women have ever kneeled to. Amen.

And now, when at long last

I think the danger a minute past,

what happens but that there springs

a traitorous viper at my heels' wings.

You, my dear Antigone!

ANTIGONE.

Me, a threat to the State! Hardly.

I'm barely old enough to get married.

KREON.

You're old enough to disobey the law.

Should my first edict command guffaws?

ANTIGONE.

Do you really care about the crowd?

Should pollsters legislate what is allowed?

Is that what makes you more just,

or less. More Kingly than common? It must!

Is the approbation of the mob what's destined?

KREON.

One must always listen to the winds

stirred up in the crowds' hurrahs, keep close ear

on their early nays and niggling whispers.

A king cannot afford to isolate himself for long,

expecting distant dictation to master the throng.

ANTIGONE.

But won't the wise and good citizens

suspect that you relented for the dead, their kin?

KREON.

The mass of men....

ANTIGONE.

The mass of men don't really matter.

What happens with them is chance and chatter.

They never make a decision for us,

or themselves, in either calm or crisis.

If they did, then they really

would make a difference, the scales reeling....

What a heaven we could engineer today

if alabaster could be made of clay!

What vast paradises of the common will!

The State would be awash in wisdoms, swill

the Dionysian inspiration at the cafeteria

in plastic cups, manufacturing the poet's hysteria;

foolish things and idiot schemes, curtains

of mauve and turquoise, would be an oddity unknown.

But what they do does not matter, for they

know not what they do. And they

cannot be forgiven, no, no,

for what they cannot decide to do.

SCENE SIX

[Outside tavern, fencing several weeks before the battle.]

POLYNICES.

Oh, what hot work! My throat's the worst.

ETOCLES.

These make-believe battles fight us into thirst.

POLYNICES.

Indeed. Let's get back to the tavern, fast.

Haemon! Set us up with some liquid relief.

[Drinks.] At last, I feel a little clear of grief.

So long those funeral trappings held me shut

into my own mind.

ETOCLES.

Perhaps our emotional glut

will help to make us mothers of the wounded state

so we can band-aid the hearts tragedy made us inherit.

To Polynices!

POLYNICES.

To Etocles!

ETOCLES.

Let's trade bouts of drinks as titans

traded tirades with Kronos long ago. [They clink cups.] Requited!

POLYNICES.

Yes. Let's drown out Neptune's trumpet

by the hollow ringing of our tankards' clunking.

ETOCLES.

Barman, fill, fill.

POLYNICES.

Haemon, my closest friend still,

besides my brother Etocles, stand us a toast

to prove our friendly happiness is no boast.

HAEMON.

Which of these golden suns, now glistening,

will rise above our State as King?

With this bright pair my love to dual love has grown;

Let craftsmen dovetail two elaborate thrones

joined at the arm as your two strong selves

are joined.

ETOCLES.

A dual kingship?

HAEMON.

A salve

to punch us from our crutches, brothers. [Drinks.]

ETOCLES.

I hadn't thought of it, little brother.

POLYNICES.

Why not? It seems a good solution.

ETOCLES.

Solution implies a problem.

POLYNICES.

Well....

ETOCLES.

I am the eldest,

POLYNICES.

This you know.

That will not change, although Kronos

was overthrown. You are as special as a lover,

and will continue so, a valued advisor.

Thus trusted and kept, even as you are now,

in the office of brother.

POLYNICES.

Office of brother? What rites or

prerogatives has that? What armies can

"brother" raise, against a cry of "king"?

ETOCLES.

Armies? What nonsense are you speaking?

POLYNICES.

You know our neighbors in Sparta

are ready to invade and divide our

fractured State which tragedy

has already so nearly sundered.

We must have a solid front and ready display

to out-face them.

ETOCLES.

Kreon has courage enough to confront them.

POLYNICES.

Kreon is ambitious. Kreon....

ETOCLES.

Kreon? Heamon's father? His ambition

extends no farther than his duty, surely.

Isn't that so, Haemon?

HAEMON.

So it seems to me. Up in the morning

polishing his boots and buckler, drilling

with the soldiers back of the barracks at four....

POLYNICES.

And yourself, Haemon? Is your

duty so small itself? Do you see your life

given meaning by such small-minded stuff,

such meaningless circumscription?

HAEMON.

Etocles is the eldest. Tradition

would choose him, and so would the law.

POLYNICES.

Good God.

HAEMON.

Your sister, Antigone,

as you know, is promised me;

but how should such a promise hold

if all the world of laws were sold

to Hell? My love is with you, Polynices,

but my duty augers

I should support your

brother in this quarrel.

POLYNICES.

[Aside.] Perhaps I ought to

mosey on along to Sparta

where my arguments, and not my years,

will find more amenable ears

to hear what I have meant.

SCENE SEVEN

[KREON is being measured for a royal gown and crown.]

DRAPER.

And so, the folds will flow thus and thus,

the sharpest, latest fashion for a king's a must.

KREON.

I'm not the King just yet.

Coronation casts the only net

that catches rightful kings, and labors

to haul them kicking to the rulers' table.

Law and tradition place on the mind

a subtle weight of story, of a kind

that helps to keep the chessmen of the game,

however shopworn, virtually the same.

And now our story's of a death,

my son's betrothed, and the comdemning breath

must be my own, for all the rules arrayed

are never by king or demimonde betrayed.

I shall play my predestined part.

No kingship thrives that at the start

quakes uncertain as the king's own heart.

Learned that in the army. Taught it, too.

That's not going to change anytime soon.

DRAPER.

And now the measurement for the crown.

Let me tie this ribbon right. There we are.

Speaking of your son, here he comes now.

KREON.

I've said my last word on that girl

ANTIGONE.

Do you march in here loving me, or hating me?

Haemon, you've always been good.

Obedient, chipper. Don't change your stripes, bud.

HAEMON.

I come as your son, my father.

I remember marching into the long strides

your own footsteps made in the dirt outside our house.

But when you jump into a palace,

I must stretch myself another way for solace

and find my course by some nearer means.

KREON.

Let that way be the law's way, Haemon.

It touches you as it touches any other citizen.

You are nearer my heart and council than any,

but if you alienate yourself from the law,

you make yourself a stranger to your father

and walk beyond my helping.

HAEMON.

Won't go that way, Dad. The thing is,

you've always been my guide; you clear things up

for me, turn me straight when I would wander.

I just had to come and see you. I felt confused.

KREON.

You did the right thing. Good you came.

Obedience profits. Disloyalty consumes itself.

DRAPER.

Good sense, your majesty,

and done up with braids of dignity.

HAEMON.

Dad, remember when we walked to the temple,

sizzled the entrails on the ample altar,

knelt, asked about what might god decide

after Oedipus' exile and Jocasta's suicide?

We waited a long time to hear our answers,

Tiresias clickering over smoky coals like a geiger....

and he hedged on several key points, moreover,

shaving himself some room to maneuver.

Wisdom, he called it. Learning how to listen.

You agreed, and said that we in our mortal condition

should never push the gods for sureties.

That reason is the one gift of God to man, you see,

and so damnably easy to be given the shove.

I agree when you warn my reason's lost for love.

It'd be a stunt for a child to engineer

his Dad's tragic fate into the clear,

or show him how to act and think. But,

if my reason is God's gift, hear it out!

Let whatever divinity shines at my lips' brim

light on you, illuminating what's within.

Its reasonable to learn while on your ass,

knocked there or in a paid chair, class is class.

DRAPER.

My chalks and knots encode my sire's height.

I mean, sir, sire. But, the boy says right,

no uniform complements even the most strict

officer if it pinches in too tight.

KREON.

A Dad get spanked by his wanking kid?

Oh I'll wail back to my mother's skirts in a trice

before I'll listen to such childish advice.

HAEMON.

If I'm not right, I'm wrong. Fair enough.

But if I'm right? What notice takes the right

of youth, or age, or anything but being right?

KREON.

What's right? Right to be on the side

of damned anarchy, boy?

HAEMON.

No, no I don't. I don't truck with crooks.

KREON.

Ain't that little girl a criminal?

HAEMON.

A criminal girl? Because she grieves?

The entire city populace would deny it.

KREON.

The city, eh? They to teach me how to rule

who's been commanding men since I gained my age?

HAEMON.

Your shooting off teenage-like enough now.

KREON.

From one voice comes rule, comes clarity.

Didn't we have enough confusion already

with those two tawny brothers grasping

for the one solar spotlight, both together gasping,

grasping and tearing and muddying things?

One voice alone can bring things plain,

help straighten out scribbled melodies again,

erect all things aright. You'll see.

HAEMON.

One horn don't make a symphony.

KREON.

The conductor is the symphony!

I am the State. Way it is, way its got to be.

HAEMON.

Yeah, if the State's a deserted isle.

KREON.

My boy... selling out to a mere girl,

the most powerless member of the community.

HAEMON.

If you're a girl, Daddy,

then I'm a sell-out, proud to be, the only

person I'm worried about now is you.

KREON.

Worried about who?

Write "love" on your fist

and strike my gut, sinking to the wrist!

All you're worried about is getting even

with the man transformed into Antigone's demon.

HAEMON.

Is it better that our new King wrestle

against Justice in the streets? Is that your stance?

KREON.

All I do is within my rights as ruler.

HAEMON.

Dosen't that attitude strike you as insular?

Rights of the gods don't start from you, Dad.

You're only right is the right you always had:

to listen if the conscience of Justice is speaking, sir.

KREON.

Shit of a son! Sucked from me by a fucking girl!

What has she done to you? Have you two slept....

I'd have you hung as an example, but hate

the cost of a court marshall, and demure.

HAEMON.

You're not my Dad, that's for sure.

Out of remembered honor only am I terse

and keep from calling you utterly perverse.

KREON.

Seduced boy! Pussy-

whipped! Don't you bandy

blank words with me!

HAEMON.

No. I'll let you be the talker.

After all, you're the State. I'm the gawker.

KREON.

[To GUARD.]

Every great leader needs a great obeyer.

Now get on out of here and slay her.

HAEMON.

I'm not taken in by any vileness, father.

KREON.

But every word of yours is hers!

HAEMON.

What did she say to you?

KREON.

That she would gladly give her life

for the sake of the law! Better answer than yours.

HAEMON.

My answers look after you, seek you.

Trying to find myself, my meaning,

in all of us. Where are the gods in this room?

DRAPER.

Sir, if I may....

KREON.

DISMISSED!!

HAEMON.

Dismissed?

KREON.

You will never marry her, you know,

not while she breathes. Her only marriage bed

will be the dirty earth.

HAEMON.

Then she will soon be dead;

but her dying kills one more, now.

KREON.

One more? Who? Senseless son,

are you threatening rebellion?

Would you hold your life in opposition

to me and your own bleeding reason?

HAEMON.

How can I oppose my father?

He's already dead. Cancelled, rather,

a prime time TV soap opera type,

glossy victim of his own hype.

KREON.

I hope you live to regret this son,

regret these airs you're putting on;

in your ripe old age is where you and I

will finally agree, when we lay side by side

in the military graveyard of the State.

HAEMON.

Yeah, Dad. Yeah. It's a date.

And when the long sullen hearse

glides to the curb in reverse,

I'll load your corpse with tidbits,

honors and flowers and all that shit,

just as much, and to the same degree,

as you bothered with the body of Polynices.

KREON.

You are nothing. I am the State.

HAEMON.

Rave on, with your insane mission;

you have no friends who'll listen.

You won't see me again. My eyes,

King Kreon, shall not see her die. [Exit.]

DRAPER.

This doesn't look right, my leige.

KREON.

Doesn't look right? Will you instruct me now

on how to run the country, toga-maker?

DRAPER.

Sire, I only....

KREON.

Not anyone's sire yet, ay?

Antigone I will carry far, far away

until she becomes, like an enemy over a cliff,

a worry discarded. Out in the walless wilderness,

sealed in a vast vault of living stone.

Honor the dead, she says? We must atone?

She wants to honor the dead so much,

let her join 'em. Oh, well, I won't, as such,

condemn her quite to death. Requiescat?

Let her gods' laws do that.

Food in the tomb, some vinegared water,

as the custom has it, freeing the State

from the killing cobra-strike

of her demise. I bear no spiking spite.

Let her pious declamations

ring in her ruined tomb unheard, unquestioned.

Maybe then she'll learn-- too late!--

that piety and pity shouldn't be wasted on the dead!

Then let her prate.

SCENE EIGHT

[Four months before the battle, betrothal picnic of Antigone.]

JOCASTA.

Let's toll up our tipping pile of lucks:

Plague, with its slopping vomit-buckets,

disinfectants, crosses and cadavers,

has changed its intrusive thermometers

for warm milk, gingersnaps, and peace

how many happy years ago now, Oedipus?

OEDIPUS.

Enough for the dark daughter of our nights

to have blossomed up to betrothal height

and look on the plauge-sick infant, Haemon,

with eyes that dare tramsform him to a man.

JOCASTA.

[Ironically.] Then let us give to the nodding gods

good thanksgiving, who might marr our odds

or dog our days with devastation and death's disgrace

if we forget to hide in hands our grateful face.

OEDIPUS.

Normal joys are worn away by lapping lassitude,

the timerous ticks of waves, days, ingratitudes.

Let the playful peace that we have got

stand a statue, eternal horseman, who trots

forever on his shining, prancing hinds.

Don't throw rotten rocks at his high behind.

KREON.

Amen.

OEDIPUS.

And then,

you know today our dear Antigone

is to be betrothed to Kreon's Haemon.

KREON.

The great gods in their cloudy watchtower

demand our vital vigilance each turn of each hour

or else all our feasts and bridal fetes

decay to fatal famines.

JOCASTA.

I won't forget.

KREON.

I lived here through the plague a boy

and discipline was all that held us steady

until you came with your magic words.

OEDIPUS.

Well... I did what I could.

KREON.

And were well rewarded with a Kingship.

JOCASTA.

We were all so glad you gave Fate the slip.

Even you, Kreon, who stood in line just after Laius,

acclaimed our savior Oedipus to the dais.

KREON.

He who has use of the law must be

respected and obeyed by all, your majesties,

everything you say is quite correct. Never otherwise.

OEDIPUS.

Here comes your Haemon now, Kreon.

JOCASTA.

On his armored arm, Antigone.

OEDIPUS.

And her brothers revelling after the pair.

JOCASTA.

And teasing them.

KREON.

While she twirls her glistering hair.

ETOCLES.

Why don't you loves swear your vows

and stitch your poverty of two into one double dower.

POLYNICES.

Hold your dovetailed hands like Spring and Winter,

then summer's transcendence we'll truly enter.

HAEMON.

I'm too young yet. And Antigone's younger.

POLYNICES.

Oh come on, don't be a stickler.

ETOCLES.

Leave that to your dad and his hoard of orders.

HAEMON.

Dad's right about more things more

often, than anyone else I know, including Tiresias.

POLYNICES.

Oh ho! Colonel Kreon out-guesses

prophets now! That's some soldier's discipline there.

Must be all those camp-outs peering at the stars.

ETOCLES.

Don't mock, Polynices.

POLYNICES.

I know, I know. It isn't "nices."

ETOCLES.

It was Tiresias' boiled-blind eyes that saw

the kinks of Kreon's fate in a shooting star

stitching quick through six constellations

before it flashed and faded out behind the yellow moon.

That forebodes high office and fabled towers,

control of men and fates on earth. Much power.

POLYNICES.

That's ancient history. You make your chance.

That's what all philosophers of free-trade

in the agora say all day, if you pay your way.

[Boys laugh and go off.]

ANTIGONE.

I would swear my soul to you today.

HAEMON.

And it is here, in warm human awe,

that true blue duty shifts wish to law.

SCENE NINE

[ANTIGONE's tomb. ISMENE is decorating it, funeral-bride style.]

ISMENE.

Lupin, verbane

leverets, eyebright

kingcup, cockscomb

pennywort, soapwort

speedwell, groundsel

cottongrass, scabiosae

yarrow arrowroot

chervil, marestail, teazel....

Sweet flowers, brighten this tomb around me,

give my eye a safe place for retreating reverie.

Although here is so much of what's beautiful and best,

I cannot think of her but hurt.

I see Antigone, and I cry. Oh flowers,

ephemeral, eternal, sweet, idiotic powers,

how can you still be cheerful, and not crack,

trading all your rainbow looks for black?

ANTIGONE.

Do you look at me with pity, sister?

Do not, although the Archeron flow faster

for the down-draw of my downfall.

My voice mixed with Death's will all

be mumbling sleepy night-talk soon,

as I whisper in the ears of my brothers, gone

into that eternal, ephemeral, emerald glade

where all flowers are of nightshade.

ISMENE.

Yes, you'll die. Its the common lot

of all that lives to consummate in rot.

Down in your dirty grave, the final horror

of decayed, vampirish, drear decor,

there will shine a kind of honor

alien to those of us who die at random,

killed singly, or undone in tandem---

for you have chosen ruin with willful love

and with brave lonliness all human law

denied. You never bowed before a tinsel sword.

Even to the dead, you never went back on your word.

ANTIGONE.

Endless rain in the underworld,

they say; limitless drippings, whirled

beneath bone-cold feet, while grave ghosts stare

demanding to know why they are there.

Gathered darks and frozen omens,

the dead themselves only half-sensible

as in an interrupted dream. I feel

the loneliness of death all too well.

ISMENE.

So, all glory for you is gone?

None in this world, none in the one beyond?

ANTIGONE.

You're laughing at me, Ismene.

Tell true, you can't wait until I'm dead, can you?

One less trouble under you legs,

racing to my disaster impelled by dear ideals

the law mocks, and you feel

too self-indulgent to be real.

ISMENE.

Far past that brightness where

human hearts alight and dare

your high heart has taken you, Antigone.

Look around. To the halls of justice you have come.

ANTIGONE.

Trees and rivers of this Thebes,

weep for me, if you will, I have seen

your gods, obeyed, and was unjustly judged.

This is the place you pointed out. I didn't budge.

When I came here, I came flying

to the stone hole of justice, grieving, dying.

Now I'll sleep in the abandoned bridebed

where my father and his mother did

it, and made me. Crime, crime, deep infection,

bleakness beyond what we see of meaning....

Their marriage worms up from the grave,

eating my hope, killing my marriage.

And now I'm the stranger in my own home-place,

homeless.

ISMENE.

You came to death at your own pace,

nevertheless.

ANTIGONE.

Let me go, let me die.

Truth is a hard word to hear, to say.

The sun removes itself from my eye,

leaving everything vast and cold and sick.

Lead me to my last vigil, quick, quick,

before I dissolve, empty

of lamentaions and of loves.

My passions have drained me.

KREON.

If a dirge-ditty could keep death back,

the first man would still be wailing at the crack

of the first grave ever made.

Throw her in; the place is prepared.

Distribute the honeycakes. If the gods,

determined to to distribute unevely the odds,

give her sustinace as they impelled rebellion,

she shall live. Our hands are clean.

ANTIGONE.

Our family darkness gathers in the tomb,

Uncle, pressing every instance of light out of the room

execution has made too suddenly, awkwardly cozy.

I die unbrided, my children locked in me as a rose is

locked and loaded into its miniature seed.

How easily discarded are those things once known as need.

Now deep, too deep, within ungerminating rock

my designs to be a bride eternally are mocked,

a Michaelangelo statue giving me the finger.

Never let my loving Haemon linger

here where all my hopes are bedded,

writhing within the stone that I have wedded.

Be witnesses for me, thin, effectless ghosts!

I poured the holy libation, I covered Polynices,

departed Dead, according to your laws and ways!

My own hand grows spectral before my face,

I dissolve and all my future intent's replaced

by a story told and over with. Remember, Ismene,

my story, although you have opposed me.

Say what I have done, and repeat it carefully

all your days, for the dead forget, they say,

and wander in dimensionless mist,

always moaning on about old crimes, listless.

ISMENE.

O passionate heart!

As unyeilding as tormented!

KREON.

Guards!

ANTIGONE.

The voice of death!

KREON.

I can't say if you're mistaken, Antigone.

As these guards bind you, so my duty binds me.

ANTIGONE.

Last sad daughter of a string of kings,

damned by the confusion of confusing things,

a maiden butterfly bereft of wings.

Unhappy kings, all unthroned to Hades,

where already in thought my thrown shade is,

you will recall what sadnesses have occured here,

here, in my heart. See what I've suffered, dears,

at these hands, incautious, abrupt,

but always royal, even when they cuffed

a girl curled against them in her ribbon stuff.

And still, after all, they think themselves human,

but I kept first the ordinance of Heaven.

SCENE TEN

[Years earlier. ETOCLES and POLYNICES are children, rollerskating. ANTIGONE a babe.]

POLYNICES.

I cry with a wild cry.

You chase me just to waste me. Why?

High-speed, here's

ETOCLES.

I feel

in my neck the rollerskate's solid wheel.

Monkey's uncle! Mercy, Etocles!

Your foot is really squishing me!

ETOCLES.

Say it. Pray it.

This dog's day isn't over yet.

POLYNICES.

Oh... Etocles.

ETOCLES.

Say it.

POLYNICES.

Please... please....

ETOCLES.

Say it.

POLYNICES.

You're just as meany mean

as old Unc' Kreon.

ETOCLES.

Fiend.

Say it. Or I'll make you double-time

march until... until dinnertime!

POLYNICES.

Dinnertime!

ETOCLES.

Say it!

POLYNICES.

[sing-songs.]

When we're ready to be princes

beloved in the world's embraces,

plastered on the summer magazines

kept in adolescent dreams obscene,

poked and prodded, adored, implored,

by the tired mechanics of Fame's one door,

it's Etocles, not me, who'll be

the glass of fashion, and king. You'll see.

It's Etocles, not me,

not me, it's Etocles who'll be....

It's Etocles, not me,

not me, you'll see, it's Etocles

who will grow up to be

king of everthing he sees.

Etocles, Etocles,

not me, not me.

ETOCLES.

OK. Good enough; get up.

It's almost time to wash and sup.

POLYNICES.

My neck is cricked

you prick.

ETOCLES.

Wanna play "soverign and his councillors"?

POLYNICES.

Nah... What a bore.

It's Antigone I wanta check out.

See if her bunched-up face is normal yet.

ETOCLES.

All right. To the nurse! Double-time!

POLYNICES.

You said no double-time.

ETOCLES.

Did not. I said double-time til dinnertime

if you did not crown me king. That's not

a promise of no double-time, it's a threat.

POLYNICES.

Same thing, silly.

ETOCLES.

Not really....

[Enter NURSE and JOCASTA.]

JOCASTA.

Today Kreon returns with his forecast.

I never saw anyone so certain and self-assured

so anxious about the half-sayings of the prophets

and fortune-throwers.

NURSE. I'd have thought it would fall

beneath his dignity to get any advice at all.

[Enter OEDIPUS.]

OEDIPUS.

Don't let crass Kreon fool you girls.

His crew-cut style hides feigning wiles.

Half his dignity's his uniform,

pressed and polished, that's his norm.

JOCASTA.

That's the visitor's pipping trumpet.

Let greedy ears hear what the prophet said.

OEDIPUS.

Yes, let's.

[Enter KREON.]

OEDIPUS.

Well, Kreon, what news from on high?

KREON.

Such news as might make stone men sigh.

NURSE. Oh, sir, look at his face! I, I....

OEDIPUS.

Here, take a pull on my flask.

KREON.

A dark and dirty task

has been assigned to hard-pressed Thebes.

OEDIPUS.

Then we'll launder it to light's reprieve.

KREON.

Its a pollution from long ago.

A splotch that necessities did throw

from our minds. Can't think about honor

on an empty stomach, or you'll double sorrow.

Nor when half the city's sick with plague.

OEDIPUS.

The Sphinx gave me a promise. She did not renege

when I solved her riddle about the legs.

I'll do the same for this problem. And simply,

now that I'm the King, and it's my responsibility.

KREON.

Well, it's a real riddle again, right enough.

OEDIPUS.

Hmm. These augers often play with double tongues

and curse those who most expect a kiss.

I'd rather not be a patsy in their plots.

JOCASTA.

But what choice have we got?

KREON.

None.

OEDIPUS.

Such is the whim of God. Let's hear the knot.

What can we do, but be good guessers

and attempt all the obstacles in life, the greater and lesser,

tripping and leaping by turns?

KREON.

Shrewdly said, sire. There is a stain....

OEDIPUS.

So you said. Make yourself plain.

KREON.

A blotch... a murder.

NURSE. Murder!

OEDIPUS.

But there is no murder, unless I err.

KREON.

Brutal and ruinous, and the culprit

still at large. "Laius," said the voice, I still hear it:

"Laius; find his killer, or mighty Thebes is no more."

OEDIPUS.

But he was killed long before

I even got here!

KREON.

Oracles can be pretty rough.

OEDIPUS.

Oh, this makes the puzzle tough.

KREON.

Murdered on the open road; the man

and his entire entourage..or, nearly. And

now the gods, going through the oracle's cold throat

command we track the killer or they get our goat.

OEDIPUS.

Why wasn't this matter devined

time out of mind, long sad years ago? I mind

a regicide loose in Thebes!

For all I know, I could be next!

KREON.

Anarchies.

That's why we dawdled as detectives.

Wasn't looked into because of the plague;

folks passing out in the streets, faces greyed,

dead as the weather in yesterday's papers. Dead inks.

No time then for any riddle but the Sphinx's.

OEDIPUS.

Once more it seems my task

to disgorge these dark things until they bask

in the temperate light of day. To my head,

it is good and lawful to honor the dead,

never too late to set things straight with heaven,

blot out evil wherever it lies hidden.

In my own mind's quiet self-report

I can scan nothing more important.

[Enter the children, screaming and running.]

OEDIPUS.

Children, enough! The time

for play has come and gone.

SCENE ELEVEN

[Coronation of KREON.]

ANNOUNCER.

Let this chosen of the gods

be shown of special promise and strictest bond

to guide the stray arrangents of our state

with kingly competence, and put no bad act

before the eternal temperance divinely given

when gods attempt to teach justice to men.

KREON.

Beneath this State vestment I must frown

and find my fellows lacking as I turn round

viewing the world from the gold hedge and ground

of your principle endowment: this crown of crowns

or haughty scepter whose powers enforce

a king's singular essence of moral choice.

These tidings and these trinkets

I accept without a blink, yet

I acknowledge they were only theived

from you, dear citizens of Thebes.

Having so lately defended yourselves

from a most horrible attack upon your homes,

I take it in victory, and in sacred trust,

that civic will and private itch keep us robust.

TIRESIAS.

Above me, a pretty speech cries out.

Who speaks? He has the rough measure of Kreon

of old, but talks of citizens and kings, not men,

horses, battle, and such warlike use of words

as was his common way when I knew him good.

KREON.

It's me,

TIRESIAS.

Your boy has eyes.

Doesn't he tell you when to bow before a king?

TIRESIAS.

King? King? I thought you just said

you were

KREON.

I know your voice. You are.

Now, how is a Colonel a king? Tell me boy,

for this Kreon is trying out a jest.

I guess for everything there's a first.

KREON.

You've stumbled into a coronation, prophet.

Were you looking to sadden some widow before her time?

Please, don't let me detain you.

TIRESIAS.

There's many I might make sad today.

Yourself not least,

KREON.

Listen to what I say.

KREON.

I don't recall ever NOT listening, Tiresias.

TIRESIAS.

Good. You've done one good thing there, wise.

A good start for a new king, indeed.

KREON.

Yes, yes. To you I'm indebted for past deeds

and prophacies. But what new fate comes today?

TIRESIAS.

Listen: Kreon, once more you sway

uneasily on the bladed edge of some great fate.

KREON.

What's this? Your words discombobulate.

TIRESIAS.

Kreon, Kreon, can't you tell

from the trembling insistance of my prophet's yell,

I'm giving you a chance too oft denied

by Fate's roulette wheel busy spinning in its pride.

The gods who blinded me are blessing you;

but they've handed it off to me to tell you what to do.

You know that little chair I've got up on the mountain,

set wildly high, where geysers shrink to fountains,

and the humungous ocean is reduced

to a puddle children's feet traduce?

Well, I was sitting there, feeling the sunlight

and the air, and the birds that make it to heaven's light,

and back, swirled all around me, all set a-chatter

(nothing too unusual in a prophet's business matters)

when out of their beaks there came contrasted

this sound that just, well, it sort of blasted

more than anything else; human in that screechfest,

like a child being dissected in an eagle's nest,

a person's voice set alight by the gods and burning,

a bonfire of consciousness, pure flame roaring

out of the anonymities gathered there.

There was a fight set off between 'em all in the air,

a seriousness of division like a war, wing-whirr

and furiousness. I put my hand out for the boy,

got him to swear up and down what he tol'

was what was happening. Didn't trust the, the

extraordinariness of it at all, too uncanny,

I thought, but the gods've left me dangling,

and brought me round to stranger things.

Here's what he saw, the boy, what my ears witnessed,

and no mistake: some of the bigger crows had hissed

a little dove over on its back, flayed out the wings

while a series of flyers looped low to sting

at the virgin breast, ripped and ripped, ceased

when a human voice leapt out of the distressed beast,

far louder than its size, a widow's moan

that in that violence was a sound alone.

When all was done, and no more to be heard,

I put my thumb in the open bowl of the bird,

trying to feel how the heart made out, what state

it was in for the augury, and I gave a start,

almost put my old thumb through that dove's ribs

and out the back, felt liver, and lungs, some greasy tid-bits,

but the heart, well, that was pecked completely

out, an absent mansion in my hand waiting

for it to flap back and start pumping. I was lost!

What could it all mean at this point?

Didn't know what to think, retreated out-of-joint

to my usual altar fires and such like.

But Hephastos failed me. Fire and no smoke,

no sign rising from destruction that should choke

black the heavenly skies. That's a fact.

I was in a panic. All the earth was out of whack!

Sonny, some things start out serious, stay that way

to the grave. This is one of 'em. What I say.

Everybody makes mistakes, no matter how exalted,

diligence is needed to see what the fault is

as well as to carry on with a difficult chore.

The gods chortle at our morose doings, none more

than our puffing up in pride and staying puffed.

But when goodness licks out of a man like holy fire

and by its light he sees his wrongs, and does

something, anything almost, to fix 'em up in gods' eyes,

that diminishes the evil, sets it at naught,

if done timely and with a sincere heart. Kreon,

think about things, who's standing up for the gods'

old ways in spite of man? Don't conflict

by policy with what moves above us... Ain't politic.

Ordering strong men to swim in armor,

march a million miles; orders have an issuer,

but results are not guaranteed. Kreon,

this Antigone thing.... It goes against God.

I've seen it, and ran here. Best tell Kreon, I thought,

he's always kept a level head on and whatnot.

KREON.

Birds of Zeus! Are you sure your boy

didn't whistle while you dozed in prophetic joy,

perhaps sipping too much of that bacchic wine

that brings insightful frenzy to the near-divine?

Can't my coronation day, in a country wide-

open with a peace we've earned, be free

of these nasty natterings and edgy anxieties?

No, Tiresias, even if your lauded eagles

carried Polynices up to heaven, regal

bit by stinking bit, I'd not yeild at all.

All my life I've put up with fortune-tellers;

He defied me in life, let his death be the exemplar!

I didn't pollute any temples, was always solemn.

The gods themselves are immune to us, no man can smack 'em.

You'll have to go elsewhere, go away

with your filthy business, I won't pay

to have my brightest day ruined by some

sour old blind man with his abacus of curses. Come,

Gather 'round! Tiresias sells his wisdom

to the highest bidder! Worthless words for hire!

TIRESIAS.

Is there no man left inside you to fear the fire?

Are you so completely withered to this length,

a single conceit of earthly power and tyrant-strength

that you, an armored prawn, would defy augury and all

that heaven gives in grace to the earth? It appalls!

KREON.

All right. Give us the phony aphorism.

Here's a dangled drachma for your boy-whore jism.

TIRESIAS.

Is there no man left in you who'll

know that wisdom outweighs any wealth, you fool!

KREON.

Right. And bribes are baser than any baseness.

TIRESIAS.

Bribes leave both the giver and taker with less.

KREON.

I would not presume to counter a prophet

who's so good at counting what's in his pocket.

TIRESIAS.

Do you still say my prophecy's for sale?

That for some monkish junk I'd sell the Grail?

KREON.

Prophets have always thought it a touch too keen

to catch the sordid future in a drachma's gleam.

TIRESIAS.

And kings have always loved warrior's brass,

and the brassy brayings of their own voices!

KREON.

Watch it! Your king stands before you.

TIRESIAS.

I know it. I prophecied that too.

KREON.

You, Tiresias, are not without talent.

But foreseeing my rise may not be thought

too spectacular. No one worked so hard for their fate,

trimming my sails, and staying up late,

stabbing back at intrigue, watching for my chances.

Face it Tiresias, a lucky guess. And now my guess is,

well, now you've completely sold out.

TIRESIAS.

Sire, fatal words are in my throat.

Do not unclasp their lock. There is no antidote.

KREON.

Here. Place this coin under your tongue,

that useless lock for those flapping gums,

and unburden yourself of your bleak words.

But remember, no matter what is said or heard,

no further coin will I give you for defiance,

although maybe I'd pay for some uncommon silence.

TIRESIAS.

Although these words charge your life in fee,

yet, you cannot afford my silent tranquility.

KREON.

No doubt. No doubt. I'm listening.

Your audience stands attentive, prevaricating performer.

TIRESIAS.

Very well, then. Take this, Kreon,

and take deep to heart! Not much father will

the days advance upon your royal time

when you shall be charged to pay all

back that you have taken: corpse for corpse

and flesh of your flesh shall pay the price!

You thrust one wondering child of light

into damned antechambers of soul's night---

innocent Antigone, who kept to the gods

and did not stray, into Hades too terribly sudden,

living in night before she's made a shade.

Also, you have perversely kept above the dust

another soul, marooned here on the earth's crust

that should have been with dignity interred.

One graved before her death, the other denied

holy sanction of a burial. These are your crimes,

Kreon. Fear the Furies and the dark of time.

Fear the great, dim gods of Hell:

Their punishment is moving swift and fell.

So swift and sure their flight at you

that you cannot even hear the fatal arrow

fletched by my prophacy. Are these the words,

Kreon, for which you wished and paid?

Soon, soon, as night and day revolve again

around your guilt, targeting in,

your house shall know loud lamentations,

men and women wandering eyeless from tears,

distant curses will come up close.

Cities grieving their unburied boys

will bend in ill will at your policies,

pushing the sink of the dead into beautiful Thebes,

even as high as your palace. These are my words,

Kreon, free of charge. Now you have heard.

[Throws money at KREON.]

Come, boy. We have seen enough.

SOLDIER.

These words work in my heart, make me cough

like a plague unleashed. Tiresias is gone,

but his bitter knowledge lingers in the air.

Old as I am, I can't remember him lying ever.

KREON.

Ah. It is hurts to even think whether....

But I cannot remember him ever lying either.

Damn it!

SOLDIER.

If I may advise....

KREON.

If not always very wise,

you at least have served me. How could I woo

that troublesome Tiresias and ignore you?

SOLDIER.

Thank you. I am worried. I think....

KREON.

Yes? What is it? Speak.

SOLDIER.

Get Antigone out of her tomb,

and put Polynices in there. Trade 'em.

Maybe the gods will take the hoodwink.

KREON.

Friend, of all my campaigns, I think,

would you really have me do this?

SOLDIER.

As old as I am, I'd hate to see

new sorrow bring my old captain down.

Now go at once. You heard how swift

it must be done! The gods are never slow

to punish men who wrong 'em. No.

KREON.

All my heart's against it, all.

But, yes, all right. I'll

not wrestle destiny for a corpse.

SOLDIER.

And go yourself,

that's the right way with these things!

KREON.

I will go. Servents-- fetch axes,

pull shovels from the farmers' hands.

To Polynices first, he's the first thing

I'll take out of the gods' sight and put right.

Quick, quick! The gods are stonger than us

and all our little hubris of polity;

a man must serve them till he die.

SCENE TWELVE

[OEDIPUS in Thebes, answering Sphinx.]

OEDIPUS.

It's a hard day full of light

as opposite a cramped, paranoic night

as a traveller'd dare to care to have, or get,

until it seems that that old soul the sun, cart-

wheels just for fun, rolling toward oblivion.

The road's all dust, and a plague, they say,

kills a city, Thebes, just one cross ridge away.

There the Sphinx, flinty singer, stone muse of mystery,

riddles every passerby to intermit the plague

but none who've answered lived, or answered as a sage.

But as I was born a wanderer with swell

feet, I might as well

attempt what answer I can make, or makeup what I can't,

--for what use is life without a little of romance?

Life's philosophy's eternal whim;

too much permanence must make us grim,

seize our sighs to breathless glaciers

and put our passions on permanant vacations.

I'll try my maybe answers to get the golden pouches

proffered by the populace. There she crouches....

Now let me take a chance; she's overheard!

Time to make my stand. Sphinx! Lion! Woman! Bird!

SPHINX.

I am SPHINX. Take counsel, and be afraid.

OEDIPUS.

Be afraid? And drill myself to silence?

I'd rather be an inquisitor in your presence.

SPHINX.

Time mocks men that mock their fears.

OEDIPUS.

I came to ask you what your riddle is,

to delve it out or die.

SPHINX.

I am

SPHINX.

Take counsel, and depart.

OEDIPUS.

[Aside.] A jinx.

Take counsel and depart? Where, sorcerer,

would I go, a homeless wanderer? [Aloud.]

I am ready for your riddle, Sphinx.

I'm after this city of Thebes' rink-

y-dink reward. There's advantage for my risk---

enough to allay my fears, maybe, sans mock's 'tisk.'

SPHINX.

Prepare for death, mortal man.

OEDIPUS.

Lay it on me, sister.

SPHINX.

Answer, if you can:

What walks on four legs at dawn, two at noon,

and three legs when the sun is gone?

OEDIPUS.

Beats me. I give up, what is it?

SPHINX.

Your life and soul are forfeit.

OEDIPUS.

Hey, I was just kidding! Man!

SPHINX.

Man? Make your answer clear, or soon....

OEDIPUS.

Yeah, yeah... Man, that's it. Dawn

is infancy, crawling on all fours; noon

is adulthood, when we walk upright, and....

SPHINX.

I have seen the mighty of all nations

look appalled upon the pit, and die at these equations.

OEDIPUS.

And evening... evening is, well, uh, would be,

that is, or would be, would kinda haveta be,

well, you know, old age and all that. See?

SPHINX.

An old age you will never know. Prepare!

OEDIPUS.

In old age man walks on three... three...

[Aside.] Stick to it,

OEDIPUS.

Stick to it, stick, stick....

SPHINX.

Stick? Your answer now, be quick!

OEDIPUS.

Yes! Evening is old age, when man

walks with the aid of a crutch, a stick, when he can,

you know the deal. Well, monster, that's my guess;

am I dead, or delivered from this mess?

SPHINX.

Live.

OEDIPUS.

Now to see what the Thebans will give.

SCENE THIRTEEN

[Inside ANTIGONE's tomb.]

ANTIGONE.

Already I am done with waiting.

Already I wish to be my consummation taking,

and with these waters and flowers sweet

end my too many days in this rock of night.

Never again will the sun come unto my face

unless it be in chinky disfigurence,

rough oblongs that obscure what they set upon

as much as may illuminate. This bride-bedecked tomb

differs less than many might have thought

from the airy daylight world I left,

filled, as that world is, with sights obscured

by ambition and prideful puffings of the self

enough to make this dismal chambered

dark, bright as the broadest noonday to myself.

But already am I done with its smalls charms,

and though it make me a respite from harm,

and all the corrupting rack of earth outside

that seems a more populated dark of brutal tides,

I am done. You have directed my feet, O gods,

to this place, accept me to the afterworld

as in this harried round of menace and ambition

you disgraced my simplicity and devotion.

I am done. Now I'll tear my veil

and shread my neck from breath as well

who should pant upon her bridal bed

like a wild leopard left unfed,

saying "Haemon," and "love" and such smallnesses

as this, which new-marrieds will make to pass

their days in restful glory and in bliss. [She hangs herself.]

HAEMON.

[Outside.] This is the most desperate spot

Thebes or the entire earth has got,

which everywhere else has such unequalled good;

This ruined landscape, flat, devoid,

measures well with the harsh expectations

of my empty soul. You, and you, drop your rations,

and tear with me at these false-risen

obstructions obscuring my life's business,

these stones of earth that cage my heart.

My father is the supreme head of State

as well you fingers of his power know

whom he posted here. Now, let's go!

Would you deny me, men? Think on it:

would you deny his son and risk the worst?

Good. Now, to it! O State that makes such men

so concerned with their skins and not what's within.

Antigone! Since I cannot from

the blasted blankness of this rocky womb

deliver you to life and light again,

which life lacks light without your presence,

I've come to bury myself with you

where my heart already lies entombed.

There, it is done. When I am within

this inky place, seal all up again the same

and I shall thank you as though you were my saviors.

Antigone.... do you sleep, or in prayer labor?

My adjusting eyes are hard put

to see you or anything in this murk.

Here's a cup of brackish water, a cruelty condoned

by my father to hurt your last days alone.

What's this? Soft... flowers strewn

almost to heaping! I thought is was yourself, Antigone,

nothing else. Now the chamber's darkness dies

and starts to glow like lurid moonrise

over sandy wastes; things appear,

but not in their true character,

but merely, as it were,

half-aware of what they were in daylight.

I seem to see within my eye, and not without.

What in the very center of this chamber floats?

....A ghost! [Florishes sword at Antigone.]

O spirit restless

whose place I trespass,

greet me as a younger brother born

to share an immortality like your own.

But wait... Oh, I am done with waiting! [Slashes.]

Collapsing on the stone floor? What? A weighted thing....

[Discards sword.] Now I own again my full sight

to look upon the desecration of my heart.

O Antigone! Were you so impaitient to be hurled

from this sinister fascination called the world?

[ENTER MESSENGER.]

MESSENGER.

Guards, stop your lawful punishment.

SENTRY.

This is a trick. We're ordered to finish it.

MESSENGER.

KREON.

He's changed his mind.

He spoke to Tiresias, and decided,

better to gamble with the gods than against.

The state is not the only arbiter of mens' estate;

he grasped some greatness within that helped him

do one thing great. He rushed off then,

spade in hand, to bury Polynices' properly.

I had helped, starting out over there with 'em.

We had to... to.... It was awful...

Then he thought it best to post me onward,

here to the tomb, to bring tidings to Haemon

and ease his troubled mind. Haemon!

SENTRY.

You'll have to shout considerably louder.

MESSENGER.

Why? What evil is in your laughter?

SENTRY.

Haemon's in the tomb with Antigone.

MESSENGER.

In there? Why? He was not condemned.

SENTRY.

He wanted to be with his bride

to break-in the bed.

[A cry is heard from within the tomb..]

MESSENGER.

What's that? An evil sound of lunacy.

SENTRY.

Let's give the honeymoon couple some privacy.

MESSENGER.

But Kreon orders them out!

SENTRY.

I'll await Kreon's orders. Don't pout.

You know what a hardhead he is.

MESSENGER.

He sent me on ahead to tell you this.

[Another cry.]

SENTRY.

Have you ever known Kreon's mind

to ever change? The man's adamantine.

MESSENGER.

Out of my way then; I'll dig them out myself.

SENTRY.

Not while I have breath....

[They prepare to scuffle. ENTER KREON.]

MESSENGER.

Sire!

SENTRY.

This man tried to break into the tomb

and undo your orders, sir. You're under arrest. Come.

[Another cry.]

KREON.

What's that? From the tomb! Those cries!

SENTRY.

Just Haemon saying his goodbyes.

KREON.

Haemon! Haemon! Are you in there?

What is this crying out? Dear,

son, speak to me-- I come here on my knees

begging forgiveness. Unloose me

from this parental nightmare of regret.

Let me see my son again obedient

to a wronging father who corrects

himself by the forgotten love he recollects

---I am as new-made as light

within a sharpened diamond's made more bright

by the outer hardness it discards

to redouble illumination's shards

and give back twice to the paitient eye

all the glory looming in a summer sky.

There, through this hasty chink

I see you in the center of the rock,

lying athwart the darkest spot.

But beside you, what's that you've got?

Something white a little to your left;

It looks like Antigone's veil, bereft

of her fine face and flung awry.

I've buried Polynices, Antigone!

Washed him up with my own hands,

first with holy water with my own hands.

And then into the mellow ground, you see,

now all the grime and dirt's on me.

Tiresias knocked sense into me, until I saw

I've no war with the dead, except how

to honor them more highly. Haemon!

Shall a father not be answered by his son?

MESSENGER.

We're almost through, sire. Here's an entrance.

SENTRY.

Watch out, this heavy stone is losing its balance!

KREON.

Haemon-- voice of the damned dark, talk!--

Is Antigone dead, did her body balk

when I criminalized her love?

To my sunken ear her light voice dove,

deformed by aquatic harmonics, till

I only heard her mumur against my will,

my will magnified by water into The State.

I'll dash away these tears and wait

to hear her voice again from under shale.

She has hung herself with her unwound vail!

Haemon, Haemon, let my grief

reverse engineer her death back to relief,

and may my taut repentance

rekinkle our cold aquiantance,

for a father and son should be united;

then her death might be less blighted.

O my son, let my sorrow, my tears, impart

by my new-washed intent, a place in your heart!

Forgive me! All's done ill.

Here, take my hand. No! This chill

and evil fiction in your eyes!

Haemon, the father in me dies

to see you see me through such lies,

a vail of hating falsities.

Nor can I expect a blink's reprieve

from the long stabs inside your sight

that show me as I am, not as I might

have been: a father loving and alive

to all his only son might give.

Ah! now he's stabbing at my face,

stabbing, stabbing at my disgrace,

the delineaments of age and error

that no longer awe him into terror

nor any obedience any longer.

Son, o son, I wish I had been stronger!

and known the fictions of renown

make their victors victims of their poem.

Now... No! No! Haemon, slice

nothing of yourself for your father's vice!

Turn the wild knife's erratic

attention back against the vatic

idiot who forgot his only duty

was to tell his son to love his beauty,

and let young Haemon, and pretty Antigone,

live and love and be.

Come out and kill the wretch

who held a burecratic pen to sketch

a tyrant's tragedy among the stars,

and cut his heart to a hash of scars.

Come out and kill me. Oh fair boy,

whose rose of blood lays unalloyed

on Antigone's dead and paper cheek....

You have won your bride, even as I speak,

and I have lost my son.


[The stone is rolled away. We see HAEMON and ANTIGONE dead.]